Robert Altman

A groundbreaking filmmaker/legendary troublemaker, Altman initially tried to break into Hollywood as an actor and writer before finding his niche as a director (who often penned his films' scripts). After serving in World War II, Altman learned his craft helming industrial films and finally broke into mainstream cinema with the 1957 B-movie The Delinquents. He spent the next decade directing television (Peter Gunn, Bonanza, Alfred Hitchcock Presents) before returning to features in the late '60s, but he was 45 when he made his breakthrough movie, the pitch-black 1970 comedy M*A*S*H, which spawned a television series of the same name. With M*A*S*H, Altman found both critical and commercial success, earned his first best-director Oscar nomination, and began forging his naturalistic, signature style. Famous for his deft use of large ensemble casts, overlapping, often improvised dialogue and intricate networks of interwoven story lines that came together into a complex mosaic of American attitudes and experiences, Altman was a revered and prolific auteur in the '70s, making such iconic films as Nashville (which earned him a second Oscar nod) and McCabe and Mrs. Miller, and working with myriad stars including Carol Burnett, Paul Newman, Warren Beatty and Lily Tomlin. Although actors loved him, studio suits did not, as he was combative and uncompromising in his art, regardless of budget or deadlines. By the '80s, a critical backlash coupled with his cantankerous reputation and a string of high-profile flops (Beyond Therapy, O.C. and Stiggs, Popeye, which, though it made money, failed to do as well as expected), hurt his career. But the sexagenarian director made a remarkable comeback in the '90s, beginning with The Player, which brilliantly skewered the very industry that made, broke and remade him. Although the satire earned Altman his third Oscar nomination as a healdirector, and two more came with Short Cuts and Gosford Park, he didn't take home a statuette until 2006, when the Academy finally saw fit to salute him with an honorary lifetime-achievement Oscar. During his acceptance speech, he revealed that he had quietly undergone a heart transplant in the mid-'90s, which made securing insurance for what turned out to be his last film, 2006's A Prairie Home Companion, difficult. (Ultimately, the then-80-year-old Altman had to hire Boogie Nights' Paul Thomas Anderson as a backup director.) What Altman didn't divulge during that speech was that he was also battling cancer. Although he died in November 2006, the maverick moviemaker left an indelible mark on contemporary independent cinema, influencing everyone from the aforementioned Anderson to John Sayles to Paul Haggis, who ironically scored a best-film Oscar for Crash at the very ceremony that earned Altman his honorary award.
Robert Altman Fast Facts:

• Was a copilot on B-24 bombing missions over the Dutch East Indies during World War II.
• Was an extra in the 1947 Danny Kaye film The Secret Life of Walter Mitty.
• In the early '50s, he directed more than 60 industrial films, several of which featured I Love Lucy's William Frawley as comic relief.
• Son Mike wrote the lyrics to the M*A*S*H (1970) theme song, "Suicide Is Painless," when he was 14 years old.
• Founded the production company Lions Gate Films but sold it in 1981.
• Received a heart transplant in 1996.
• Directed Sally Kellerman, Julie Christie, Ronee Blakley, Lily Tomlin, Helen Mirren and Maggie Smith in Oscar-nominated performances.

Robert Altman Relationships:
• Bernard Clement Altman - Father
• Christine Westphal - Daughter
• Helen Altman - Mother
• Kathryn Reed - Wife
• Konni Corriere - Stepdaughter
• LaVonne Elmer - Ex-wife
• Lotus Corelli - Ex-wife
• Matthew Altman - Son
• Michael Altman - Son
• Robert Altman - Son
• Stephen Altman - Son

Robert Altman Awards:
• 1989 Emmy: Outstanding Directing for a Drama Series - Winner
• 1993 Emmy: Outstanding Individual Achievement in Directing in a Variety or Music Program - Nominee
• 2002 Golden Globe: Best Director - Motion Picture - Winner
• 1970 Oscar: Best Achievement in Directing - Nominee
• 1975 Oscar: Best Achievement in Directing - Nominee
• 1992 Oscar: Best Achievement in Directing - Nominee
• 1993 Oscar: Best Achievement in Directing - Nominee
• 2001 Oscar: Best Achievement in Directing - Nominee
• 1975 Oscar: Best Motion Picture of the Year - Nominee
• 2001 Oscar: Best Motion Picture of the Year - Nominee
• 2005 Oscar: Honorary Award - Winner
• 1971 Golden Globe: Best Director - Motion Picture - Nominee
• 1976 Golden Globe: Best Director - Motion Picture - Nominee
• 1993 Golden Globe: Best Director - Motion Picture - Nominee